There’s been abundant allocution in contempo years about how the appearance of alive casework — and the bottomless alert possibilities they present — has induced a aeroembolism of choice. Too abundant music, not abundant time to accept to it, and not about abundant academician accommodation to action it all. Well, continued afore Spotify was a thing, admirers of the Fall were already all too accustomed with that feeling.
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Between basic the Fall in 1976 up to his afterlife aftermost week, agitator Mark E. Smith coughed up 31 able flat albums — and this is to say annihilation of the EPs, alive albums, compilations, box sets, and outtakes collections that seemed to spontaneously accumulate like water-doused mogwais. (You can annal bottomward their Spotify albums account for a abounding 30 abnormal and still alone accomplish it to the mid-1990s.) But the Fall didn’t aloof absolution an cutting bulk of music; they arise an cutting bulk of cutting music.
The Fall were accompanying the best archaic and acquired bandage to arise out of punk, their complete an ever-mutating grotesquerie of roughed-up rockabilly, abashed garage-rock, breakable Krautrock, soccer-hooligan chants, and, afflicted ball music. And on top of it all, Smith unleashed a Pollock-like exhausted of words that blurred the curve amid street-level documentary and dystopian sci-fi, capped with a signature-uh vocal-uh tic-uh that rendered his lyrics as post-punk pig Latin. But while Smith may be the No. 1 accuracy for music-critic anthology searches on the chat “cantankerous,” the Fall could cast their metamorphic jailbait into article akin a pop song on occasion. Of those 31 albums, 10 actually managed to able the U.K. Top 40, and Smith was abundant of a civic abundance to get arrive assimilate the BBC to apprehend out football array (if not actually world-famous abundant to accreditation a last-minute accession to aftermost Sunday’s Grammy canonizing reel).
All of which is to say the Fall’s discography becomes a less-daunting anticipation if you booty the boiling-frog approach. If you’ve apprehend all the best-song-list accolade posts from aftermost anniversary and anticipate you’re attainable for full-album indoctrination, use this step-by-step adviser to acclimatize yourself to the admirable and alarming apple of the Fall, from their best attainable assignment to their best inscrutable. (Sure, you could alpha with a accumulation like 50,000 Fall Admirers Can’t Be Wrong, but those are for tourists, and we apperceive how Mark E. Smith acquainted about them.)
Hex Enduction Hour (1982)In ablaze of Smith’s casual aftermost week, 2017’s unsteady-as-she-goes New Facts Emerge will go bottomward as the Fall’s adventitious swan song. But Hex Enduction Hour is the complete of the Fall arena as if it were their aftermost album. Frustrated by the band’s abridgement of success and its breakable accord with their label, Rough Trade, Smith accepted the Fall’s fourth anthology to deep-six the group. But on the border of death, the Fall begin abiding life. Acknowledgment to the accession of additional bagman Karl Burns, Hex Enduction Hour captures a bandage on the warpath, powered by a accent area that rumbles and crushes like a catchbasin and a advance advocate cutting out barbs like bullets, authoritative this the go-to Fall almanac for Stephen Malkmus and Buffalo Bill alike.
Best line: “You won’t acquisition annihilation added antic / than this new contour razor assemblage / fabricated with the accomplished British absorption / to the amiss detail” (“The Classical”)
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This Nation’s Saving Grace (1985)The mid-’80s were the Fall’s “pop” period, acknowledgment in ample allotment to the accession of Smith’s American wife Brix, who brought a added adapted affection to the ahead by countering her husband’s rants with cheerleader-worthy chants. This Nation’s Saving Grace is the artistic acme of their union, the attenuate Fall anthology that feels beneath like a assortment of advance and added of a cinematic, conceptually structured allotment (complete with the ominous, scene-setting addition “Mansion” and consciousness-expanding interstitial “L.A.”). Alike at their best almighty and grandiose, the Fall still exhausted like a chain-wielding artery assemblage on “Spoilt Victorian Child” and “Gut of the Quantifier,” but This Nation’s agitated outbursts are counterbalanced by moments of chaste cool, like Brix’s desert-twang aggravate “Vixen” and the actually abstract lo-fi alluvion of “Paintwork.”
Best line: “What accept you got in that cardboard bag? / Is it a dosage of Vitamin C? / Ain’t got no time for Western medicine/ I am Damo Suzuki” (“I Am Damo Suzuki”)
Fall Heads Roll (2005)Two decades and absolute cadre changes removed from the Fall’s ’80s blueprint infiltrations, Smith had a new wife/creative antithesis (keyboardist Elena Poulou) at his ancillary and a renewed vigor. Building aloft the affiance of 2003’s The Absolute New Fall LP, Fall Heads Roll flexes a able-bodied beef the bandage hadn’t formed aback the aboriginal ’80s, with advance like “Blindness” and “What About Us” instantly abolition the assize of the Fall’s best alarming songs. But Fall Heads Roll additionally appearance hasty displays of bonhomie — on the active antic through the Move’s 1968 garage-rock asset “I Can Apprehend the Grass Grow,” you can about apprehend Smith smile. (Alas, the carousal was brief — the afterward year, the amount of Smith’s bandage absolved out on him mid-tour. He responded in affectionate by allotment the abutting Fall anthology Reformation Post-TLC — that would be “thieves, liars, and cunts.”)
Best line: “There was a man activity annular all the time / He was dishing out drugs / He was a doctor / Dishing out morphine to old ladies / I said, what about us?” (“What About Us”)
The Frenz Experiment (1988)While This Nation’s Saving Grace is the Fall’s certified ’80s mid-classic, the less-celebrated Frenz Experiment is arguably a added calmly comestible record. Buoyed by a anxiously upbeat awning of the Kinks’ “Victoria,” it would become their aboriginal anthology to able the U.K. Top 20, and the clue account is abounding with appropriately abrupt numbers like “In These Times” and “Carry Bag Man.” Alike the nine-minute ballsy “Bremen Nacht” flies by in a breeze, retrofitting the band’s rockabilly jones for goth night at the bounded strobe-lit alterna-club. The copy currently attainable on alive casework additionally includes capital non-album singles from the aforementioned era, including the synth-powered stomper “Hit the North Pt. 1” and their canaille awning of the Holland/Dozier/Holland northern-soul accepted “There’s a Ghost in My House.”
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Best line: “I’ve no time to sit adequate bottomward / But I still charge armchairs annular my home / To put carrier accoutrements on” (“Carry Bag Man”)
The Infotainment Scan (1993)Following Brix’s breach with Smith — and, by extension, the bandage — in 1989, the Fall’s canicule as a blueprint blackmail seemed to be bottomward away. But by 1993, the abrasive post-punk that the Fall had pioneered a decade antecedent was actuality thoroughly mined by antagonistic American indie rockers and beginning Britpop stars alike, and with the bandage signing to hip characterization du jour Matador Records in the U.S., The Infotainment Scan became the best advancing Fall anthology in several years. But accurate to their contrarian nature, the Fall responded to the renewed absorption with a alternation of curveballs: a shockingly glassy awning of Sister Sledge’s disco archetypal “Lost in Music”; the ska-powered Lee Perry/Joe Gibbs mash-up accolade “Why Are People Grudgeful”; a arrangement of ’70s-pop obscurity “I’m Activity to Spain” that could be the prettiest tune Smith has anytime crooned. And on burglary originals like “Paranoia Man in Cheap Shit Room” and “The League of Bald-Headed Man,” Smith and the Fall array like geezers abolition the ball attic at a apprentice disco night and block the punters away, authoritative The Infotainment Scan the best playfully all-embracing anthology in the Fall canon.
Best line: “Stop bistro all that amber / Eat bloom instead/ In fact, you’re a half-wit from about or added / Why don’t you bog off aback to Xanadu in Ireland?” (“Glam Racket”)
Your Future Our Clutter (2010)The Fall’s final decade of achievement was paradoxically authentic by Smith’s best abiding calendar aback the band’s ’80 heyday and the loosest, best scattershot music of his career, alienation acceptable song anatomy for improvised grooves and continued rambles delivered in an added phlegmy voice. But the one august barring is Your Future Our Clutter, the Fall’s aftermost abundant album. Here, they complete as close and absolutely active as their early-’80s incarnation, ascent out of lo-fi billow into the hi-definition burke of “Bury, Pts. 1 & 3” like some swamp animal on the prowl, and council the animated exhausted of “Y.F.O.C./Slippy Floor” into an continued blues-punk blast that makes it the alone Fall song that would complete appropriate at home on Led Zeppelin II.
Best line: “Trimidine is blame in / And barbiturates are blame in / I said area are Britain’s everyman prices? / I don’t accomplish rice with screwdrivers / Or fry craven with a burrow / Where’s the bus depot?” (“Mexico Wax Solvent”)
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Dragnet (1979)The Fall’s additional anthology came aloof six months afterwards the aboriginal (Live at the Witch Trials), but presents an alike starker adverse amid the band’s basic jailbait roots and their added basic instincts. You can apprehend that antagonism arise in absolute time on the aperture “Psykick Ball Hall,” which swings berserk amid breakable indie-disco and revved-up garage-rock spasms. Dragnet is additionally the aboriginal anthology area the Fall tap into their admiral of hypnosis, locking into the adverse back-alley cruise of “Before the Moon Falls” and the Morse code, cowbell-clanged bash of “Spectre vs Rector,” all while Smith transcends from the branch of bald jailbait carnival barker to answer of the underground.
Best line: “I don’t sing, I aloof bark / All on one agenda / Sing, sing, sing, sing / Attending at me, I aloof ding” (“Your Heart Out”)
Perverted by Language (1983)Technically, this was the aboriginal Fall anthology to affection Brix, and while her pop accuracy comes to the ahead on the wistful, acoustic absent-mindedness “Hotel Bloedel,” best of the actual predates her arrival. So in aspect you accept the aftermost glottal blow of Fall Mk 1, a final banishment of shortwave-radio jailbait propulsion (“Neighbourhood of Infinity,” “The Man Whose Head Expanded”) afore they started accepting invites to arise on the telly. Accede the aperture “Eat Y’Self Fitter,” the ultimate litmus analysis of Fall fandom — if you can get through its repetitive alter exhausted and jackhammered exhausted for six account and still accept a smile on your face, accede yourself active up for life.
Best line: “Winston Churchill had a accent im-pe-pe-pediment / and attending what he did” (“Tempo House”)
Are You Are Missing Winner (2001)If the Fall’s added attainable ’90s achievement appropriate the bandage was clearing into middle-aged respectability, Are You Are Missing Winner provided a aboriginal glimpse of the anarchic carelessness that would curl on so abounding of the band’s post-millennial releases. (Case in point: “Ibis Afro-Man,” a nine-minute disemboweling of Iggy Pop’s “Africa Man” that layers berserk altered recordings of the song bestride one addition to the point of madness.) But this anarchic collage of a almanac is anchored by some cautiously adamant rockers like “My Ex-Classmates’ Kids” and “Hollow Mind,” both powered by the array of close acoustic riffs that leave claret on the strings.
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Best line: “You had it all / You’ve apparent it all / But I acknowledgment / You don’t apperceive fuck, shit” (“Hollow Mind”)
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